![]() Since its opening in 1929, the Civic Opera House was home to the Chicago Civic Opera, Chicago Grand Opera Company, Chicago City Opera Company and Chicago Opera Company.ĭjango Reinhardt with Duke Ellington and his Orchestra The detail in the design shows the love, passion, the craftsmanship of the artists who built it. Every time you step though those doors, your eyes fill with a magical almost overwhelming flood of excitement and wonder. A building that is as sophisticated as the great opera houses in London, Paris, and Rome. The Civic Opera House in itself is a work of art, something that symbolizes strength, culture, and class in the city of Chicago. Contains a 3,563-seat opera house for the Lyric Opera of Chicago, one of America’s premier opera companies. Early critics, referring to the folly of its builder Samuel Insull, called it “Insull’s Throne”. Shaped like a giant armchair facing the river. Inside, the theatre is a traditional European-style opera house, filled with stacked balcony and side boxes. According to local legend, Insull claimed that upon his death his spirit would sit in his “throne” where he could watch out over the growth of the city, much of which he spawned before dying virtually penniless and forgotten years later. When the design began for this building that would contain both an opera house and dozens of offices, Insull allegedly asked the Architect to make the building in the shape of a throne that faced west. Samuel Insull built this palace of a building in 1929 as a throne to himself. keep combo Jazz alive in the big Band era. The idea, a jump-start in Jazz history, birthed the band-within-a-band concept which helped Herman, Crosby, Dorsey, Shaw, etc. The 1st HCC Concert presented Benny Goodman (then in his historic Stand at the Congress Hotel) in a Trio format with the Band’s drummer, Gene Krupa and a local pianist named Teddy Wilson. The Hot Club of Chicago (named after the French org.). Most important of all, he taped interviews with J azz Musicians, Club Owners, and others who were part of the early Chicago Jazz Scene. Steiner taped live radio broadcasts from Chicago Clubs, which were not retained by the Stations, and took his Tape Recorder to Chicago Clubs to tape live performances. In 1946, he single-handedly taped Duke Ellington‘s famous Concert at the Chicago Opera House, and later provided this Tape to the Ellington Family for Commercial release. The debut of the “Portable” (20-lb.) reel-to-reel Tape Recorder enabled John Steiner to make some of his most valuable contributions to Jazz history. This was done for Steiner’s own pleasure only, but years later it was commercially released by Charles Delaunay. Django in Chicago – Civic Opera House ~ 10th Nov 1946ĭjango’s Tour with Duke was never Recorded, except one Concert in the Lyric Opera House, Chicago where the Jazz enthusiast Dr John Steiner secretly recorded the whole Show.
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